Who's >> No, you're not. >> I want you to go. No. >> It's going to end. It's going to end. Come here. Come here. >> Who is he? >> This woman is abusing everyone and fighting with her husband, and officers arrive to restore order, but the situation is about to take an even more volatile turn. >> You're not going to hit anybody. Stop. >> No, you're not. >> You're not going to hit anybody. >> Paul. >> What are you doing? >> I'm not getting out. >> Okay, now you just got a phone. >> I'm not getting >> Stop now. Stop. >> Baby. No. No. >> On February 8th, 2025, in Clearwater, Florida, officers respond to reports of an intoxicated woman causing a disturbance on the roadside and yelling at passersby. At first, it appears to be a routine disorderly conduct call, but within moments of making contact, it becomes clear this is anything but a typical encounter. What begins as a straightforward response quickly spirals into chaos. >> All right, then what do you want me Do you want to >> You got to Calm yourself, please. Relax. Why are you wasting this time? I'm going to Don't try to fight. >> Hey, I haven't threatened anyone. Who the You have threatened me. He's not. Baby. >> Okay, stop yelling. Stop yelling. >> You have no >> Stop. >> You have no right. >> Stop yelling. Shut up. >> The woman is identified as Lana. She hurls insults at those around her, and the situation is already tense, but the people on the receiving end aren't willing to simply walk away, and before long, another heated confrontation begins [music] to unfold. >> Go back. Just go away. Just walk away. >> Bro, I didn't do nothing. She came up and assaulted me. >> Just just walk away. Did she touch you? >> She's cursing at us. Come on, man. >> Did she touch you? >> Do you want her to wait to touch you? >> No. >> You wouldn't take it. What would you do? She's cursing at me and my wife, bro. You wouldn't take it. >> What would I take? >> Did she Did she touch you? >> Would you take it if you sitting with your wife and somebody cursing at you? Would you take it? >> Yeah, they're just saying words. So, if cursing is just words >> Luckily, the people around her are more composed than Lana and seem to understand the gravity of the situation. Even her husband appears to recognize that things are already getting out of hand. But, Lana has no intention of following their lead and the situation is about to become way more difficult for everyone involved. >> There's a child. >> Do you understand that? You're acting out of hand, Lana. >> Listen to their child. >> Listen. >> Pass us, so we're not going to say anything. >> I don't want to arrest you. >> You're not going to arrest me. I'll tell you so. >> I literally saw you. >> Saw me what? >> Stop yelling. Stop yelling. >> God damn it. Stop yelling. >> I literally saw you walk across the street and walk up to them. >> [music] >> Do what? And what are you doing? >> What's the point of that? >> Yes. >> You're way too drunk. Just go home. >> Yes. Please. Let's go. I'm going home. >> Okay. >> But, Lana has other plans. Just when it seems the tension is beginning to ease, she's right back at it. >> Shut up. >> I said don't talk to anyone. >> I'm not talking to anyone. >> Why are you yelling? You said shut up to them. Okay, both of you stop yelling. Why are [music] you yelling? >> I'm not yelling. >> What are you so upset? Yeah, what are you so upset about? >> I am. >> Do you need medical assistance? Are you sick or you injured? Are you okay? >> Excuse me. No, she has to learn. If you really think >> I'm asking you >> that I'm doing something wrong. Tell me no hospital. I literally just do anything. >> Why are you yelling? >> I said you're so beautiful. >> Whether it's confusion, intoxication, or sheer stubbornness, Lana seems convinced she can talk her way out of the situation, but officers have already given her a clear opportunity to avoid making things worse, and she refuses to take [music] it. That decision is about to catch up with her much sooner than she expects. >> I'm trying to make sure that you go home >> Sir, >> and not somewhere else. >> Sir, I don't really know that's what you're thinking about. >> Relax, please. >> Oh, no, not even another one. Sir, I'm going to ask you later. >> Please, let's talk to >> It's just Oh, you're not I wasn't yelling. Oh, sir, are you going to arrest me cuz I'm drunk? >> Yes, but I don't want to. Okay? I don't want to, either, so I don't have to get you out of jail tomorrow. >> We need your expertise. >> Relax, please. >> [music] >> Who's charging me? >> You're under arrest. >> Why are you >> It's okay. It's okay. Come here. Come here. >> Excuse me. This This Everything is all crooked. I don't care how >> Was she Was she kicked out of Capital Theatre? >> With that decision, the encounter takes a costly turn for Lana, and honestly, the warning signs were there all along. >> Nope. You're not going to hit anybody. Stop. >> Sir, you're not >> You're not going to hit anybody. Stop. Stop. Relax. >> Paul. Paul. Paul. Paul. [screaming] You're going to get You're going to get You're going to >> What happened? >> I went and I went and I >> Hey. >> What are you doing? >> Knock it off. >> Okay. Now you just got a phone. >> I didn't do anything wrong. I didn't >> Stop. >> What did you want? >> Stop. Got it? >> Yep. >> I got it. >> For most people, being taken into custody would be a wake-up call. For Lana, it seems to have the opposite effect. Her verbal abuse now turns toward the officers. Despite the consequences already catching up to her, she keeps digging the hole deeper. >> Get the [ __ ] away from me. >> What do you want me to do? What do you want me to do, Lana? Are you going to walk? >> No, you walk or you You mean that? Who the [ __ ] are you? Oh, you such a man. Who are you? This You don't want to be with your man. Dude, if I was in his spot, there's going to be >> I got her. >> You guys You are Dude, you are such This is such a No, listen. >> After all the chaos she's caused, [music] Lana finally appears to understand that her outbursts aren't getting the reaction she wants. But rather than taking responsibility, she tries to shift the narrative and portray herself as the one who's been wronged. >> I'm sorry. I'm sorry. >> Get up. Get up. >> Ouch. >> Sit down. >> Let me let me out. Let me >> Get in there. >> No. >> [screaming] >> Get in there. Watch your feet. >> Dude, chill. Chill, let me let Let me out. You should Wait. >> [laughter] >> Can you jail me as well? Can you jail me as well? Can you jail me as well? Can you jail me again? >> With Lana finally secured in the patrol car, reality appears to be setting in. The problem is, it arrives far too late. After countless warnings and opportunities to change course, the consequences are no longer a mystery. >> You literally are putting me in jail. Do you Do you Pull. Pull. Open the door. This is insane. There's no [ __ ] way. Let me out there. >> [screaming] >> But even after everything that's happened, Lana still fails to take accountability for her actions. She continues doing exactly what got her into trouble in the first place. >> He's a cop. I'm losing me. They're losing me. >> [laughter] >> Jail. I want to make you get a Don't touch me. No, they're not. >> Get your foot inside. >> This mother is a You get the away from me. I want someone else. You're not this mother >> By this point, the officers are nearing the end of their patience as well. Even so, they're still making an effort to treat Lana with compassion and respect. Unfortunately, the patience being shown to her is increasingly being taken for granted. >> Is that better? I can't pull it all the way back or I'll pull it out of your mouth. How's that? I won't touch that. It's all slimy. All right. It's all slimy. Spit it. Just spit it out. Spit it out. Just pull See if you can spit it out. So, what you need to do is you need to focus on this, get through this, and things are going to be a lot easier for you. But, if you want to smooth this out, listen to me. Just listen. >> What the [ __ ] do I do, Ronald? >> All right, listen here. >> This is it. >> Look, I could tell you what I know. >> I'll tell you >> You you kicked a police officer, which you did. >> No, I did not. >> You hit him. >> Did you lock? >> No, I didn't lock [ __ ] >> in the camera? >> I will. I promise. >> As the situation continues to unfold, paramedics arrive on the scene to evaluate Lana, and it doesn't take long before they find themselves dealing with the same hostility everyone else has faced throughout the encounter. >> Lana, he he is here to help you get to some of this care, okay? >> What am I >> You don't You're Look, you got to >> Oh, yeah. >> So, he's going to He's here to help you. >> Thank goodness, Ronald. >> What do you suffer from? >> I still want to know. >> What do you have? >> Get away from me. I want everyone You need to call me a doctor here. >> Who's your doctor? >> Dr. John. >> What does he specialize in? >> He specializes in rheumatology. >> All right, hey. What I'm going to do is I'm just going to check your heart rate and your blood pressure, make sure you're doing all right, okay? >> Ronald, you can't if I'm >> Yeah, no. >> You locked my >> Hey. >> No. What is this? >> I've had it with you, all right? You guys stay back. >> you have, Kenny. Knock it out, >> [crying and screaming] >> Ronald. >> I'm not, okay? >> Thank you, Ronald. >> I did not kick >> He could knock you. He doesn't mean to. >> Look, hey. Look, you want to go to jail or you listen to me? >> I'm going to jail, Ronald. >> you to jail happily. >> You're not. >> I'll take you to jail happily. Sit down. >> So, why I'm being asked >> Lana. >> No. No, you're not. Get stay the [ __ ] away from me. >> I'll take it off. >> No, yeah, you take it off. You take it off. This needs to be cut off my [ __ ] wrist. Cut this off. Cut this off now. Cut this off now. >> The medical evaluation reveals no serious injuries and Lana is placed back in the patrol car. By now, most people would have accepted the reality of the situation, but Lana isn't most people. Before long, the familiar cycle of complaints and outbursts starts up once again. >> I'm not dealing with this. I'm not dealing with this. Please, sir. Please. >> Soon after, Lana is transported to the police station. For Lana, it's merely a change of location and the disruption continues. >> Leave me. Let go of me. I'm not going with you guys. Excuse me. Excuse me. >> Relax, okay? >> No, excuse me. Let's see what happens. >> Whatever happened with you >> Sir, let Casey. You let Oh, this mother Look at what he laughs at. You [ __ ] ass. We're not having it. >> Eventually, Lana is transported to the Pinellas County Jail. She is booked on charges of disorderly intoxication and resisting an officer with violence, a costly outcome that officers had repeatedly tried to help her avoid.