Put your hands down. >> Put the [ __ ] gun down. >> PUT THE Columbus police officers navigate toward an address on Worthington Street following dispatch reports regarding an armed individual. Dispatch warns [music] units that the suspect has a known history of violence across multiple properties [music] and is historically associated with carrying a firearm. Upon arriving at the scene, officers immediately begin establishing positioning around the multifloor residential structure to locate the suspect and secure [music] potential exits. >> Put your hands where I can see them. Put your hands up. Put your hands [screaming] up. >> [music] >> There it is. You got him. >> He's got a 33 on him. >> [music] >> 103 has got a 33 PUT THE GUN DOWN. PUT THE [ __ ] gun down. >> Yeah, he's one street over. He's hiding on the porch. He's got the 33 on him still. PUT THE [ __ ] GUN DOWN. Put the [ __ ] gun down. I'm not going to tell you again. Okay, he's running towards worthy from the street. I think you might have gone the other direction. [music] Think you double back. >> [music] [music] >> area. Heat. Hey, the cruiser at scene. He was kind of stalking us around the corner behind one of the houses. So, he's waiting for us to make a mistake. >> Yeah, he's talking down. Let's just uh set up a parameter. >> [music] >> Can we get a car on um just uh north of Heat. Heat. >> [music] >> Yeah, he's running uh he's running towards the location again. He's up there. >> He's going back eastbound. He's going back eastbound. You're going back that way. There he is. I don't even know where we at. Heat. Heat. [music] >> [music] >> Heat. Heat. PUT THE GUN DOWN. I'M GOING I'M GOING TO [ __ ] SHOOT YOU. PUT THE [ __ ] GUN DOWN. >> PUT THE [ __ ] GUN DOWN. >> Put the [ __ ] gun down. >> He's running back. Stop it. Put it down. >> PUT THE [ __ ] GUN DOWN. PUT IT DOWN. PUT THE [ __ ] 94. Make it a three. Where's he at? >> 17, please. >> Can you see up? >> Can you see up [music] here? Whatever changes. Stand by. >> Where's he at? >> Chopper doesn't have a limit. Oh my god. Somebody needs to get in a cruiser. >> Yeah, >> you're running down that way. >> 811, he's running. 1811 is running eastbound. He's got the 33 in his hand still. He ran that way. We need a cruiser. There's only one cruiser. >> He's going to come back around. I bet you anything. >> He's going to come back around this way. We're clear here. >> You guys want to take Ellie? Look, there's a hard left. >> 17 C6. Can send some close [music] >> 7A in the house. STAND BY EVERYBODY. >> S1 headed that way with 114 to 113. 7. >> 78. [screaming] Got it. Hold on. Let's come back and set up a perimeter. I'm coming your way. >> 1469 Street has a 78. We need one more. I need one more person. >> And then I'm going to come over >> to here. >> See the address on this place? >> 234 maybe. 197. What is that? >> What street? >> Knife [music] is a knife. [music] >> Watch your window, buddy. >> 32 on. >> It looks like it. This is a separate one. And then there is >> 197 West. >> All right. Want to go? Yep. >> I'm going to go and I'm going to go to this side of the the brick wall over here. >> Yep. Yep. Yep. >> Before I get off >> your front. We need one more. I need one more person. >> One in the front. One in the front. Cover me as I >> You got cover. Ready to go. [music] >> Yes, it will force. >> It's going to be a 47A. We'll be checking it >> right here. [music] >> I got you. >> POLICE. YOU BETTER STAND OFF. [music] [snorts] >> It's not forced. >> [ __ ] There's one open at the top. [music] >> Yeah. >> This one. So you can tell is it force? >> Yeah. >> Okay. >> All right. Yep. Yep. [music] >> You cover me as I go across the wall. >> You got cover. Ready to go. [music] >> Yes. It looks forced. >> It's going to be a 47A. We'll be checking. >> Got me [music] right here. >> Yep. >> POLICE. BETTER SOUND OFF. >> This is open too. But it's not forced. >> No [ __ ] This one open at the top. >> Yeah. [music] >> This one. You say you can tell is it forced? >> Yeah. >> Okay. >> All right. I'm going to cross off behind you. >> See, can you see the person that door there? >> No. >> YOU BETTER STAND UP. >> WHAT? It's in there. >> There's a room leading back to another door straight straight that way. I'm going to stay on your back and do it. YOU BETTER STAND OFF THE POLICE. >> Watch your cop. [music] Yeah, when we got outside here. >> All right, I'm going to go in. >> You're going to go right. >> Teams begin methodically clearing thresholds, checking [music] interconnected rooms, and coordinating movement across the property's lower and upper levels. The situation [music] rapidly escalates when the suspect opens fire from a rear room and begins reloading. [music] Officers immediately communicate the active threat, order an emergency perimeter lockdown, [music] and request aerial support alongside specialized SWAT backup to contain the multi-exit building. Drop your thoughts in the comments below. How would you rate the tactical [music] communication and containment setup during this high-risk room clearance >> behind you? [music] >> 190. We need one more in if we can >> and we're going to go two directions. All right. [music] I'm going with him. You go with her. This goes right, left, straight. >> Okay. >> Yes, I can see. >> It goes to another door to the left. I'm going to go hard to left to that corner to that side. [music] >> Okay. Got door to the two doors to the right, one to the basement. They're both open. >> All right. You go. >> Yes, >> I can see. >> It goes to another door to the left. >> I'm going to go first left side. >> [music] >> All right. [screaming] >> Who's in there? >> Who's in there? LEFT. LEFT. LEFT. Are you in? No. >> Are you in there? >> ARE YOU GOOD? I'M IN TO YOUR RIGHT. >> HEY, HE'S GOING TO BE IN THERE. >> GET OUT. GET OUT OF HERE. Come on. COMING. >> COME ON. QUICK. QUICK. QUICK. LEFT. Are you >> Are you in there? >> Okay, he's going to be IN THERE. GET OUT OF HERE. Come on. >> Come on. Quick, quick, quick. Good. Go check. Go check. Go check. CHECK. >> HE'S IN HERE. HEY, >> RELOAD. RELOAD. I CAN'T SEE THE FREAKING >> YOU'RE RIGHT. RELOAD. >> Anyone shot? RELOAD. GO OUT AND GET CHECKED. You're okay. Go get checked. >> Okay, we got to get in the door. >> OKAY, HOLD ON. EVERYBODY JUST STOP. We got him in there. >> I don't know if he's doing that room. >> Just stop. STOP. >> I DO NOT THINK SO. NOW, >> we need to bunker up. We need to bunker up. >> They're left. Show them. Let's go. Call them out. Start calling THEM OUT. HEY, SOUND OFF. >> EASY. EASY. Calm nice. Call nice. I GOT YOUR hands down. [music] >> I'm going to keep this door. >> You okay? >> I'm going to keep this door. It's window. >> Let's wait for a moment. >> Go back to the garage. GO CHECK. GO CHECK. CHECK HER. >> CHECK HER. CHECK HER >> OUT. CAN'T SEE THE FREAK. YOU'RE RIGHT. HELLO EVERYBODY. >> ANYONE THAT LOOKS GO OUT AND GET CHECKED. You're okay. GO GET CHECKED. OKAY. >> OKAY. ANYWAY, just stop. We got to be there. >> I DON'T KNOW IF you get into that room. >> Just stop. STOP. I DO NOT THINK SO. NO. [music] your head now. [music] >> I'm going to keep this door. >> Okay. >> You okay? >> I'm going to keep this door. >> Wait for >> We're pulling out. He's firing. is reloaded. Somebody call SWAT. We're going to need help. >> Come on. Come down. All right. You got it. Good. >> All right. >> You good? >> Yep. >> We have a perimeter, right? >> There was a window. I don't think he's anyone injured. >> No officers injured. Shots fired. He's reloading. He's hunkered down in a back room. We're setting up a perimeter tight. We need SWAT and we need some bunkers. [music] >> They're coming. 114's coming with a bunker being >> everybody just >> he could probably have access to up. I'm not sure. That might be here. So, be ready. >> 197. >> Does anybody know the direction of traffic? >> Which floor? >> Yeah. >> First floor. We got to move to a safe location. [music] >> Okay, stop a second. Let me check you. >> Double check you. >> Hold on. >> Let me check you. I'm good. >> I know. I want to double check you. >> Is anybody back there? >> You're good. You're good. You're good. >> Hey, he's in. CAN YOU SEE THE OPEN DOOR? >> That's the way. With the suspect hunkered down in a back room and maintaining potential angles through internal doorways and windows, [music] units shift from immediate entry to holding strict tactical perimeters. Officers coordinate cross [music] cover positions, instruct nearby residents to keep doors secured, and stage arriving backup teams to manage potential escape routes until specialized units [music] arrive to handle the barricaded subjects safely. Make sure to subscribe for more in-depth [music] breakdowns of official law enforcement operations and public records footage. >> Just in case >> we got to move to a safe location. >> Come on. >> Hey, stop a second. Let me check you. Get back in the windows. Get back in the windows. >> Let me check you. >> I'm good. >> I know. I want to >> Is anybody BACK THERE? HEY, HE'S in Can you see the open door? >> That's the way. THAT'S WHERE HE'S AT. HE'S IN THERE IN A CLOSET. >> EVERYBODY, >> any luck on a chopper to help us with containment cuz this building's got multiple floors, multiple exits, and windows. >> Pop out this. >> Y want to move somewhere else. >> Well, we got them behind us. >> So, I think we need to move. I think maybe on this side of the door my location >> if he goes upstairs he's got a good visual go upstairs [music] >> I know we got the way >> somebody cover >> watch the hole right there >> next door >> yeah they were flying out of this >> he's in the >> [music] >> He's right there next to you. [music]