No, you're not allowed to film people without their permission. Put your camera away, please, now before I get my security. I'm not joking. >> Don't need permission, murder. >> So, what are you doing? Why are you standing here filming us? >> I'm standing here minding my own business. >> You're not minding your business. You're pointing your camera at one of my actors. >> And >> And you're not allowed to do that. >> The video opens with instant tension. Before viewers even know what's happening, a film producer is already demanding that the camera be turned off and threatening to call security. The auditor remains completely unfased, creating an immediate contrast between emotion and composure. Right away, the audience is left wondering what could have triggered such a strong reaction. With confrontation already brewing, the stage is set for an encounter that will quickly test knowledge, patience, and public filming rights. >> You're not part of the set, are you? As well? >> Yes, ma'am. >> Oh, yeah. >> Yeah. Well, you're not a real copper. >> No, what you think it was? >> I thought you were [ __ ] home. >> To give us I swear to God, mate. Is that like real power spray and [ __ ] >> No, it's just a dummy. >> Is it just a dummy? >> Handcuffs are all real and >> Yeah, they are. But that's just a dummy. >> That is uh that's quality. So, I've um like what what police force cuz I've read the books >> and and I can't wait for the TV series. What? >> Just local Brady. Just local West Yorkshire place. >> I'm just a Yorkie boy. I'm not from London. >> Are you from London? Yeah. I've just been down. >> Well, I live just north of London. All my works London. >> Are you an Are you an extra? >> Yeah. Well, I do all sorts. >> What What kind of stuff are you doing? >> Cuz cuz a good a good friend of mine's from uh he's an actor. He don't do it anymore. >> He's played a lot of extra parts and stuff. >> I started 17 years ago. >> He's down London down um Oh, where's he from? >> M. I'm sort of more Bedford way. I'm out of it north as well. >> I actually thought like you were a real copper and I messing about when I turned around and went, "Oh, you bought it set." Like when you turned around and went, "Yeah, I thought you'd come." >> We had them on yesterday cuz we had like we had armed and that on the set. So there was they were two at the top like armed police. >> Yeah. >> On the set yesterday, but we had a gone today. No guns and >> what real armed police? >> Well, yeah. So just put >> I'll play it part. Yeah, cuz they cuz you you guys won't unless it's props, you won't be able to have guns, will you? >> That's correct. I >> mean, look what happened to that guy in America. Can't remember his name. He played it Baldwin. >> Alec Baldwin. Alec Baldwin. Yeah. Yeah. He shot that journalist. >> What happened to uh me as well? >> What appears to be a police officer turns out to be something entirely different. The auditor begins a friendly conversation asking questions about the uniform, equipment, and role on set. As the discussion unfolds, viewers discover that the officer is actually an actor. The exchange remains respectful and informative, showing how simple questions can uncover the truth without conflict. At this point, everything seems calm, but that calm won't last for long. part of production team, was it? >> Yeah. >> And and he fired gun and it turns out it had a real bullet in it. >> I think it had a fragment left in the chamber. I don't think it was a whole bullet. Yeah, >> cuz sometimes like when if they fracture they can be kept in the chamber. That's why you need to clear them. >> How how can Hollywood mess up? >> It can just be done. It's so important. >> Yeah. Just been overlooked, man. It's just I know it's important, but [ __ ] >> shame, is it? >> Yeah. Yeah. Bruce Lee got killed remember in seven whatever the film. >> Uh the crow. Sorry. >> Yeah. Yeah. Brandon Lee. >> Brandon. >> Brandon Lee. Yeah. >> So there's all this fake then like body cams and [ __ ] pretty much. It's all good fun making good fun. Policeman one day and then a [ __ ] nutcase the next. I was like >> well I've just seen some guy up there and uh security guard went he's actor. I went What's What's he acting? A [ __ ] part of a [ __ ] I said, "Look, I can stay." >> Yeah. >> Are you on a break? >> I just went for a piss break. >> Right. Well, I don't want to get you in trouble. So, before before you go, can you fake arrest me? >> Fake arrest you. >> You're reading me rights. You don't have to put the cuffs on. >> You got the right to remain silent. Anything you say or do will and can be used against you in a court of law. >> Is that America? >> If you can't afford one, one will be provided for you. >> That's America, mate. >> No, that's Liverpool council >> over here. It's you do not have to say anything, but it may harm your defense if you do not mention with questions something which will later rely in court. Anything you do say evidence. How do I know that? >> How do you know that? Cuz you've been nicked too many times. >> Too many [ __ ] times, mate. >> Away with it. 15 years clean, man. >> Yeah. Good to meet you, my friend. >> Andrew Daryl, by the way, >> Daryl. I'm Kev. >> You can look me up online. I'm in quite a lot. >> Daryl, what's your second name? >> Lane. >> Daryl Lane. >> And then Yeah, I got James Bones. >> I'll check you out tonight, mate. So, have you met Harrison and Ford, mate? >> Oh, all of them, mate. Yeah. Um, I just worked with Drew and I've been doing some good stuff, mate. >> [ __ ] legends, mate. >> Hard work, mate. >> Nice one, brother. >> Can be hard. >> Yeah. Yeah. Respect anywhere. Respect. >> The conversation becomes more relaxed as the auditor and actor discuss film productions, prop safety, and even perform a humorous mock arrest. The atmosphere is light-hearted and entertaining, giving viewers a brief break from confrontation. However, this segment is important because it highlights the auditor's friendly approach. He's not causing problems or provoking anyone. That fact will become crucial once accusations start flying later in the encounter. >> Us? >> No. >> So, why are you filming us? >> Why? >> Yeah, you're not allowed to film people without their permission. Can you stop filming, please? >> Who are you? >> Who am I? I'm the line producer of this production film. >> You should know about uh filming in a public place. It's quite lawful. >> No, you're not allowed to film people without their permission. Put your camera away, please, now before I get my security. I'm not joking. >> Don't need permission, mate. >> So, what are you doing? Why are you standing here filming us? >> I'm standing here minding my own business. >> You're not minding your business. You're pointing your camera at one of my actors. >> And >> And you're not allowed to do that. I >> am allowed. >> All right. I'll go and get my security. >> Go get your security though. You get your >> Just jog on, pal. Seriously. >> No, you jog on, pal. Go back to work. You'll get your security. >> You can stand there as long as you put the camera away. You can't get your security. They will educate you, my friend. >> No. No, they won't. You can't. You can't point your camera at someone and film them educate you on public photographer. >> Say, Mark, there's a police officer over there. Why don't you go tell her? I weren't even filming you, love. >> You were. >> I'm just filming what's going on. >> Filming in public is >> your purpose for filming us. Can you explain that to me? >> What is their purpose for filming me? >> Because Because you're basically being unreasonable. You're pointing your camera at my >> I don't like you. Can you please jog on? >> I don't like you, but but don't film us without >> Who do you work for? >> Huh? >> Who do you work for? >> Who do I work for? I work for myself. Who do you work for? Well, can you go out with a tax rebate and buy some soap and wash your mouth out is absolutely vile. How dare you swear at me in public? You've just committed a section five public order offense, my friend. >> Off. Like, just get out. >> And again, go back to work. >> Well, go and get someone to arrest me while I'm disturbing you. >> You absolute muppet. Go away. Walk away from me. >> Is it possible just to move you that side? You >> right. If I don't want to get in anyone's way. I don't want to in >> Everything changes when a producer suddenly approaches and demands answers, claiming that filming people without permission is illegal. He immediately attempts to assert authority over the situation. The auditor calmly explains that filming in public is lawful, but the producer refuses to accept it. Threats of security are made, voices rise, and the first major confrontation begins. The tension that was teased at the start of the video has finally arrived. >> Quite happy to move out of the way if you need me to. >> I'm asking you. Where would you like me to go? >> If you could be down there, that would be great. >> Unfortunately, you're right in the back of the shop, >> right? Of course. I will move then. I told this gentleman when I got here, didn't I? Mr. Security Man, I'm not going to cause any issues. So, if you need me to move, I'll move. No, I haven't caused issues. This foul mouth, dirty little man's caused issues. What I'm asking you is why are you filming us? What's your reason? >> Would you like a pacifier, my friend? >> What? >> Sorry. For the record, this man just threw the dummy at me. >> No, I didn't throw it again. >> That's a vile behavior. >> Fell out of my hand. Listen. Would you like it? >> Can I just move? >> Yeah, of course. You can keep that if you want. >> He's just throwing it. He's >> obviously had to do that a lot. >> Yeah, I'll pick it back up then. That's fine. >> Why are you filming us? He's throwing his dummy out of pram. Guys, >> why can't you answer the question? >> He's throwing his dummy out at pram. >> Would you like to throw anything else at them? Maybe your toys or anything like that? >> Right, I'm going to go to the end of street. I did say I don't want to cause any issues, but I am going to film. >> It's the vile person. You don't care. >> You can film me all you want, but why are you filming me? >> Hey, stand by, please. >> Because you're a muppet, mate. >> You're a muppet. >> You're a sausage. >> You're a sausage. The people want to hear what >> you find out. >> I'll find out. What you going to do, big man? >> What am I going to do? What you going to do, big man? >> I'll take that [ __ ] camera. >> Go on. I dare you to do it. Please. Cuz then I can sue you for everything you're worth. Please go on. Do it. >> Can you sue me? Really? Do you know who I am? >> Yeah. I don't care who you are, mate. >> I don't care who you are. >> [ __ ] off. >> People are going to know who you are after today though, my friend. >> Good. >> Cuz this video is going to go viral. >> I'm not the one going and filming people without their permission. >> Prick. >> I don't swear at me. Don't swear at me. I don't need permission. >> I talk however I want. It's not Not illegal to put my mask up. I don't want to catch all of you. Go away. >> Does anyone know why this? >> As security becomes involved, the producer continues pressing for explanations while the auditor remains remarkably calm. Rather than escalating the situation, he repeatedly offers to move if necessary while standing firm on his right to film from a public place. The contrast becomes increasingly obvious. One side appears frustrated and emotional while the other stays measured and composed. This difference begins shifting the narrative in the auditor's favor. >> And stick your camera in people's faces. Your >> I have not stuck my Listen, you are getting on my tits now, mate. I have not stuck my camera in anyone's face. >> Okay? I've not stuck it in anyone's face. So get out of my face now. Go away. >> You're filming people. Yeah. We're doing a private professional. >> You're not sto my camera anybody's face. >> Yeah. You're filming my actors. You're not allowed to go and kill someone without their permission. No, you can't. >> Yes, I can. >> No, you can't. >> Learn the law, my friend. >> You are an absolute idiot. >> You're [ __ ] weird. >> Learn the law. >> You're a weirdo. >> I [ __ ] say it to you. >> Film him as well now. >> You [ __ ] freak. >> Yeah. Go on, mate. Go on. Keep swearing. >> Keep swearing. Tell you what, you want to do something? Go on. Put me camera. >> I dare you to. I dare you to, mate. I dare you to. Go on, mate. Put me to sleep, big man. >> Go on. I dare you to do it. >> Camera. There's no There's cameras all around here, my friend. It's cammed up everywhere. >> Don't act like a big man. Do something. >> No one wants to do anything to you. Why are you >> We just want you to [ __ ] off, mate. >> Listen, I'm not going to disrespect I'm not going to disrespect a lady, but I have not stood me camera in anyone's face. >> I was stood at the end there quietly minding me own business. You're not minding your business cuz you're filming us. >> Yeah. And I'm >> That's not minding your business. That's ending up in someone else's business. >> I'm allowed to. >> Why haven't you got a proper job? >> Why? >> Yeah. What are you doing here, mate? >> You don't know me. >> Yeah, we don't. >> This could be my day off. >> I really don't want >> This could be my day off. >> Now, who's taking the moral high ground? This is enough. >> Your day off. >> I tell you what, you're no oil painting, are you? Get back in makeup room. Get back in my makeup room. >> None of that bothers me. >> Yeah. Well, don't start don't start talking [ __ ] to me. Don't start talking down to me. Eh, >> it's not my opinion what counts. >> Go away. >> Go away. You sausage. >> Absolute muppet. Yeah, you are. >> Police are here now, guys. >> Oh yeah, the police are here. >> The police are here. These these are our police. >> Yeah, you idiot. >> Yeah, I know they are. >> Jog on. Keep swearing. Keep showing yourself up. The confrontation reaches another level when the producer throws an object and begins making increasingly aggressive comments. He even threatens to take the camera, prompting the auditor to challenge him directly. Instead of backing down, the auditor documents every word and action. What started as a disagreement over filming rights is now turning into a public display of frustration and poor judgment. The pressure is clearly beginning to